30th December 2011
A Few Too Many
“Application of the hair of the dog may sound like nothing more than a way of getting yourself drunk enough so that you don’t notice you have a hangover, but, according to Wayne Jones, of the Swedish National Laboratory of Forensic Medicine, the biochemistry is probably more complicated than that. Jones’s theory is that the liver, in processing alcohol, first addresses itself to ethanol, which is the alcohol proper, and then moves on to methanol, a secondary ingredient of many wines and spirits. Because methanol breaks down into formic acid, which is highly toxic, it is during this second stage that the hangover is most crushing. If at that point you pour in more alcohol, the body will switch back to ethanol processing. This will not eliminate the hangover—the methanol (indeed, more of it now) is still waiting for you round the bend—but it delays the worst symptoms. It may also mitigate them somewhat. On the other hand, you are drunk again, which may create difficulty about going to work.
25th November 2011
Crush Point
“Crowds are a condition of urban life. On subways and sidewalks, in elevators and stores, we pass in and out of them in the course of a day, without pausing to consider by what mechanisms our brains guide us through so easily, rarely touching so much as a stranger’s shoulder. Crowds are often viewed as a necessary inconvenience of city living, but there are occasions when we gladly join them, pressing together at raves and rock concerts, at sporting events, victory parades, and big sales. Elias Canetti, in his 1960 book “Crowds and Power,” sees these times of physical communion with strangers as essential to transcending the fear of being touched. “The more fiercely people press together,” he writes, “the more certain they feel that they do not fear each other.” In fact, a crowd is most dangerous when density is greatest. The transition from fraternal smooshing to suffocating pressure—a “crowd crush”—often occurs almost imperceptibly; one doesn’t realize what’s happening until it’s too late to escape. Something interrupts the flow of pedestrians—a blocked exit, say, while an escalator continues to feed people into a closed-off space. Or a storm that causes everyone to start running for shelter at the same time. (In Belarus, in 1999, fifty-two people died when a crowd tried to enter an underground railway station to keep dry.) At a certain point, you feel pressure on all sides of your body, and realize that you can’t raise your arms. You are pulled off your feet, and welded into a block of people. The crowd force squeezes the air out of your lungs, and you struggle to take another breath.
7th November 2011
Alberto Salazar and the New York City Marathon
“For the past eight years, Salazar has been paid by Nike to lead a group of up to a dozen runners, who train together on the campus of the company, in Beaverton, Oregon—and who, Nike hopes, will win races wearing swoosh-adorned clothing. At first, Salazar had limited success. But in recent years he has acquired a certain mystique for his ability to cajole fragile runners into peak performance. Salazar has been widely credited with resuscitating the career of Alan Webb, a twenty-seven-year-old prodigy miler, and with guiding the ascent of two female American record holders, Kara Goucher and Amy Yoder Begley.
21st October 2011
Circle of Fire
“Informally, people refer to Qaddafi as the Big Guy or the One, or just point an index finger straight up. Saying “Qaddafi” aloud is thought to invite trouble. So is questioning his sometimes absurd policy proposals. He once insisted that families should use only one bar of soap a week. On another occasion, he proposed that currency be eliminated in favor of barter. “He believes in desert culture, even though the desert has no culture,” one cosmopolitan resident of Libya’s capital, Tripoli, told me. “He is trying to take life to its childhood.”
4th October 2011
The Neverending Nightmare of Amanda Knox
“When an attractive young woman from a privileged British family is murdered in Italy, you’ve got a popular crime story. When the person suspected of killing her is an attractive young woman from a privileged American family, you have tabloid gold. When the prosecutor hypothesizes that the victim was slaughtered during a satanic ritual orgy, you’ve got the crime story of a decade. When a sitting U.S. senator declares that the case “raises serious questions about the Italian justice system” and asks if “anti-Americanism” is to blame, and when 11 Italian lawmakers in Silvio Berlusconi’s coalition request a probe of the prosecutor’s office — well, at that point, you have an international crisis.
One might expect that the lead role in this blockbuster would be assigned to the victim, a placid, pretty girl from London named Meredith Kercher. The daughter of a tabloid writer and his Indian-born wife, Kercher was a serious student who didn’t take herself too seriously; she had been drawn to the Italian city of Perugia, in part, for its reputation as the City of Chocolate. She quickly made a group of British girlfriends, joining them for dinner parties, movie nights and dancing at the local discos. Kercher was beautiful, bubbly, devoted to her family, a model daughter.
And yet, less than a day after her murder, Meredith Kercher was all but forgotten. The show was stolen by an accidental ingénue named Amanda Knox, who, until she was convicted of murder and sentenced to spend the next 26 years in prison, was unaware of a number of significant facts about herself. Knox did not understand, for instance, that she was beautiful. It was new to her, her beauty — as a high school student at Seattle Prep she was heavier, had acne and was more devoted to rock climbing and backpacking than to dating. She didn’t have her first boyfriend until she was 19. “She’s a little dork who doesn’t wear matched socks,” says her best friend, Madison Paxton. “I’d never use ‘sexy’ to describe her.” Her beauty is no longer a mystery to her, however, now that she’s received hundreds of letters from male admirers all over the world.
