15th February 2012
The Plagiarist's Tale
“Originality is a relative concept in literature. As writers from T. S. Eliot to Harold Bloom have pointed out, ideas are doomed to be rehashed. This wasn’t always regarded as a problem. Roman writers subscribed to the idea of imitatio: they viewed their role as emulating and reworking earlier masterpieces. It wasn’t until the Romantic era, which introduced the notion of the author as solitary genius, that originality came to be viewed as the paramount literary virtue. Plagiarism was and remains a murky offense, “best understood not as a sharply defined operation, like beheading, but as a whole range of activities, more like cooking,” the English professor James R. Kincaid wrote in this magazine in 1997. Imagine a scale on one end of which are authors who poach plot ideas (Shakespeare stealing from Plutarch) and on the other are those who copy passages word for word: Jacob Epstein, who cribbed parts of his novel “Wild Oats” from Martin Amis’s “The Rachel Papers”; the Harvard sophomore Kaavya Viswanathan, whose novel plagiarized chick lit.
