19th January 2012

National Public Rodeo

When most people hear “NPR,” they think Cokie Roberts, Nina Totenberg, Robert Siegel, and for some on the far right, all that is wrong with the mainstream liberal media. But beneath the veneer of the “Minnesota nice,” a simmering battle has been waged, and in the balance hangs NPR’s future and perhaps even its soul—as either a nonpartisan defender of in-depth journalism or a target of the partisan sniping of the sound-bite era. David Margolick explores how NPR’s management managed to squander the advantages of the national dole, deep-pocketed donors, a roster of top-notch reporters, and the loyalty of legions of devoted Click and Clack fans—and whether it can recover from the annus horribilis of 2011.

10th October 2011

The Story Behind the Photograph that Shamed America

Three young girls, barely into their teens, fell in directly behind Elizabeth. They were clearly together, and clearly students; two of them, like Elizabeth, carried books. They wanted to be at the very centre of things. And they wanted to get really close to Elizabeth – close enough to let her know that they didn’t want her in their school. “Two, four, six, eight! We don’t want to integrate!” they chanted.

One girl, Hazel Bryan, looked livid, her face poisoned with hate. As Benjamin Fine of The New York Times later described her, she was “screaming, just hysterical, just like one of these Elvis Presley hysterical deals, where these kids are fainting with hysteria”. Her eyes narrowed, her brow furrowed, her teeth clenched, Hazel shouted: “Go home, nigger! Go back to A-”. Click. “-frica!” Will Counts, a photographer for the Arkansas Democrat, had his picture.

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