Louis C.K. And The Rise Of The 'Laptop Loners'

C.K. neither attempts to present life as it actually is or to woo viewers with an upgraded, escapist approximation of it. Louie’s New York can be both mimetic — the apartments are all appropriately small — and utterly fantastical: a severed head rolls down the street; a doctor tells you you’re too out of shape to exercise; Matthew Broderick directs an all-Jewish remake of the Godfather. It’s the New York of C.K.’s imagination, the city inside his brain. Like Joyce’s Dublin, it’s sign-posted with recognizable locations, but sense-warped by its auteur’s myopic subjectivity. And like a Bergman dream space, or the literal limitlessness of cyberspace, C.K.’s nebulous New York is in a state of constant flux, blessed by FX with the freedom to be inconsistent even with itself.

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